Acosta, Oscar Zeta. "Buffaloes and Cockroaches: Acosta's Siege of Aztlán." Norman D. Smith. V, 10:86-97. (Out of Print.) Special Issue of Chicano Literature.

Aguilera Malta, Demetrio. "The Apocalyptic Tropics of Aguilera Malta." Luis A. Diez. X, 20:31-40.

Alegria, Claribel. "Claribel Alegria's 'Sorrow': In Defiance of the Space Which Separates." Teresa Longo. XX, 39:18-26.

Allende. Isabel. "Parody or Piracy: The Relationship of The House of the Spirits to One Hundred Years of Solitude." Robert Antonia. XVI, 32:16-28.

Amado, Jorge. "Testimonial Fiction and Historical Allegory: Racial and Political Repression in Jorge Amado's Brazil." Nelson H.Vieira. XVII, 34:6-23.

Anaya, Rudolfo A. "Extensive/Intensive Dimensionality in Anaya's Bless Me, Ultima." Daniel A. Testa. V, 10:70-78. (Out of Print.) Special Issue of Chicano Literature.

-----. "The Function of the La Llorona Motif in Rudolfo Anaya's Bless me, Ultima." Jane Rogers. V, 10:64-69. (Out of Print.) Special Issue of Chicano Literature.

Anderson Imbert, Enrique. "The Function of Fantasy: Creativity and Isolation as Related Themes in the Fiction of Enrique Anderson Imbert." Mary H. Lusky. VII, 14:28-39.

Andrade, Mario de. "Macunaíma as Brazilian Hero: Filmic Adaptation as Ideological Radicalization." Randal Johnson. VII, 13:38-44.

Andrade, Oswald dE. "Oswald de Andrade's (Cannabalist Manifesto). Leslie Bary. XIX, 38:35-47.

-----. "Tri-angulating Two Cubists: William Carlos Williams and Oswald de Andrade." Richard M. Morse. XIV, 27:175-183. Special Issue of Brazilian Literature.

Arenas, Reinaldo. "The Labyrinthine World of Reinaldo Arenas." Emir Rodríguez Monegal. VIII, 16:126-131. Special Issue of Hispanic Caribbean Literature.

Arevalo Martinez, Rafael. "Reflections in an Equine Eye: Arévalo Martínez's 'Psycho-zoology." Harry L. Rosser. XIV, 28:21-30.

Arguedas, Jose Maria. "Argueda's De-auto-rized Biography: A Failed "?" Trickster's Tale." Claudette Kemper Columbus. XXI, 42:21-33.

-----. "The Initiation Archetype in Arguedas, Roa Bastos and Ocampo." Barbara B. Aponte. XI, 21:45-55.

-----. "Todas las sangres: A Change of Skin." Sara Castro-Klarén. I, 2:83-98. (Out of Print.)

Arias, Ron. "Ron Arias's The Road to Tamazunchale: A ChicanoNovel of the New Reality." Eliud Martínez. V, 10:51-63. (Out of Print.) Special Issue of Chicano Literature.

Arlt, Roberto. "The Grotesque Tradition and the Interplay of Fantasy and Reality in the Plays of Roberto Arlt." James J. Troiano. IV, 8:7-14.

-----. "The World's Illogic in Two Plays by Argentine Expressionists." Naomi Lindstrom. IV, 8:83-88.

Armas, Emilio de. "On the Creation of Unsung National Heroes: Barnet's Esteban Montejo and Armas's Julián del Casal." Gerald Aching. XXII, 43: 31-50.

Arreola, Juan Jose. "Albert Camus's Concept of the Absurd and Juan José Arreola's 'The Switchman,'" George R. McMurray. VI, 11:30-35.

Assis, Machado de. "I Am at Your Disposal: The Marginalization of Female Discourse in Dom Casmurro." Gary M. Vessels. XXI, 42:70-81.

-----. "The Epic, The Comic, and The Tragic: Tradition and Innovation in Three Late Novels of Machado de Assis." Enylton de Sá Rego. XIV, 27:19-34. Special Issue of Brazilian Literature.

-----. "Machado de Assis and his Carioca Quintet." Jorge de Sena. Translated by Isabel de Sena. XIV, 27:9-18. Special Issue of Brazilian Literature.

-----. "Machado de Assis: Skepticism and Literature." José R. Maia Neto. XVIII, 36:26-35.

-----. "Machado de Assis's Theory of the Novel." María Luisa Nunes. IV, 7:57-66. (Out of Print.)

-----. "The Memórias póstumas de Brás Cubas as (Proto) type of the Modernist Novel: A Problem in Literary History and Interpretation." Earl E. Fitz. XVIII, 36:7-25.

-----. "Narrative Time and the Defunto Autor in Memórias póstumas de Brás Cubas." Paula K. Speck. IX, 18:7-15.

-----. "Story Tellers and Character: Point of View in Machado De Assis's Last Five Novels." María Luisa Nunes. VII, 13:52-63.

-----. "Time and Allegory in Machado de Assis's Esau and Jacob." María Luisa Nunes." XI, 21:27-38.

Asturias, Miguel Angel. "Miguel Angel Asturias's Dawn of Creativity (1920-1930): The Minstrel of Merriment." Jack Himelblau. II, 3:85-104. (Out of Print.)

Athayde, Roberto. "Language and Power in Miss Margarida's Way and The Lesson." Vicky Unruh. XIV, 27:126-135. Special Issue of Brazilian Literature.

Avellaneda, Gomez de. "Mystical Diction and Imagery in Gomez de Avellaneda and Carolina Coronado." Lee Fontanella. IX, 19:47-55.

Azuela, Mariano. "Azuela's La Malhora: From the Novel of the Mexican Revolution to the Modern Novel." Eliud Martínez. IV, 8:23-34.

-----. "Mariano Azuela and 'The Height of the Times': A Study of La Luciérnaga." Eliud Martínez. III, 5:113-130.

Barnet, Miguel. "On the Creation of Unsung National Heroes: Barnet's Esteban Montejo and Armas's Julián del Casal." Gerald Aching. XXII, 43: 31-50.

Benedetti, Mario. "The Political Act in Mario Benedetti's Con y Sin nostalgia." Bart Lewis. IX, 17:28-36.

Bioy Casares, Aldolfo. "Borges y Bioy Casares, 1955 y la Poesía gauchesca como paradójica rebeldía." Laura Demaría. XXII, 44:20-30.

-----. "The Narrator as Creator and Critic in The Invention of Morel." Margaret L. Snook. VII, 14:45-51.

-----. "Science Versus the Library in The Island of Dr. Moreau, La invención de of Morel and a Plan de evasión ." Suzanne Jill Levine. IX, 18:17-26.

Bombal, Maria Luisa. "Death and Desire in The Shrouded Woman." Barbara Ichiishi. XVII, 33:17-28.

-----. "Social Denunciation in the Language of El Arbol by María Luisa Bombal." Mercedes Valdivieso. Translated by Ellen Wilkerson. IV, 9:70-76.

-----. "The Shrouded Woman: Marriage and Its Constraints in the Fiction of María Luisa Bombal." Lorna V. Williams. X, 20:21-30.

Borges, Jorge Luis. "Aesthetic Persuasion in 'A New Refutation of Time.'" Ned J. Davison. VII, 14:1-4.

-----. "Borges and His Precursors." John Stark. II, 4:9-15.

-----. "Borges and Paz: Death by Labyrinth and Resurrection by Dialectic." Gary L. Brower. II, 4:17-23.

-----. "Borges as Concomitant Critic." Katherine Kaiper Phillips. II, 3:7-17. (Out of Print.)

-----. "Borges y Bioy Casares, 1955 y la Poesía gauchesca como paradójica rebeldía." Laura Demaría. XXII, 44:20-30.

-----. "The Detective Story Genre in Poe and Borges." Julia A. Kushigan. XI, 22:27-39.

-----. "Hawthorne and Borges: Two Twice-Told Tales." Octavio Corvalán. VII, 13:45-51.

-----. "The Hedonic Reader: Literary Theory in Jorge Luis Borges." Nicolas Shumway and Thomas Sant. IX, 17:37-55.

-----. "Heresy as Motif in the Short Stories of Borges." Ted Lyon and Pjers Hangrow. III, 5:23-35.

-----. "Jorge Luis Borges and Severo Sarduy: Two Writers of the Neo-Baroque." Suzanne Jill Levine. II, 4:25-37.

-----. "Jorge Luis Borges and the Interview as Literary Genre." Ted Lyon. XXII, 44:74-89.

-----. "Paradox and Parable: The Theme of Creativity in Borges's 'The Circular Ruins.'" Arnold M. Penuel. XVII, 34:52-61.

Bunge, Carlos O. "A State of Conviction, A State of Feeling: Scientific and Literary Discourses in the Works of Three Argentine Writers, 1879-1908." Bonnie Frederick. XIX, 38:48-61.

Cabrera Infante, Guillermo. "The Reel Against the Real: Cinema in the Novels of Guillermo Cabrera Infante and Manuel Puig." Phyllis Mitchell. VI, 11:22-29.

-----. "A Secret Idion: The Grammer and Role of Language in Tres Tristes Tigres." Stephanie Merrim. VIII, 16:96-117.

-----. "Squared Circles, Encircling Bowls: Reading Figures in Tres Tristes Tigres." Jacques Lezra. XVI, 31:6-23.

-----. "Stalking the Oxen of the Sun and Felling the Sacred Cows: Joyce's Ulysses and Cabrera Infante's Three Trapped Tigers." Djelal Kadir. IV, 8:15-22.

-----. "Strategies for Reader Participation in the Works of Cortázar, Cabrera Infante and Vargas Llosa." Lydia D. Hazera. XIII, 26:19-34.

-----. "Structrue and Meanings of Three Trapped Tigers." Emir Rodríguez-Monegal. I, 2:19-35. (Out of Print.)

-----. "The Use of Jokes In Cabrera Infante's Tres Tristes Tigres." Claudia Cairo Resnick. IV, 9:14-21.

Cabrujas, Jose Ignacio. "Pop Culture and Image-Making in Two Latin American Plays." Kristen F. Nigro. XVII, 33:42-49.

Caicedo, Andres. "Resistencia y sicotrópicos-comentarios a la novela ¡Que viva la música! de Andrés Caicedo." Gastón Alzate. XXIV, 48:39-55.

Camus, Albert. "Albert Camus's Concept of the Absurd and Juan José Arreola's 'The Switchman,'" George R. McMurray. VI, 11:30-35.

Cardenal, Ernesto. "Peace, Poetry, and Popular Culture: Ernesto Cardenal and the Nicaraguan Revolution." Claudia Schaefer-Rodríguez. XIII, 26:7-18.

-----. "The Evolution of Cardenal's Prophetic Poetry." Jorge H. Valdés. XI, 23:25-40.

Carpentier, Alejo. "The Barbaric Dictator and the Enlightened Tyrant in El otoño del patriarca and El recurso del método." Norman Luna. VIII, 15:25-32.

-----. "A New Novel by Alejo Carpentier." Terry J. Peavler. III, 6:31-36.

-----. "Ambiguity in El siglo de las luces." Mary A. Kilmer-Tchalekian. IV, 8:47-55.

-----. "The Lost Steps: The Faustian Artist in the New World." Michael Valdez Moses. XII, 24:7-21.

-----. "Patterns of Repetition in The Kingdom of This World." Florinda F. Goldberg. XIX, 38:23-34.

-----. "The Creative Function of Black Characters in Alejo Carpentier's Reasons of State." Clementine Rabassa. VI, 12:26-37.

Carrera Andrade, Jorge. "Conversation with Jorge Carrera Andrade." William J. Straub. I, 1:71-78.

Carrio de la Vandera, Alonso. "Sexuality and Hybridity in El lazarillo de ciegos caminantes." Mariselle Meléndez. XXIV, 47:41-57.

Carvalho-Neto, Paulo de. "The Multiple Literary Traditions of Mi tío Atahualpa." Clementine Rabassa. VIII, 15:33-38.

Casal, Julian del. "Ideología y género en la poesía de José Martí y Julian del Casal." Aída Beaupied. XXII, 44:31-48.

-----. "On the Creation of Unsung National Heroes: Barnet's Esteban Montejo and Armas's Julián del Casal." Gerald Aching. XXII, 43: 31-50.

Castellanos, Rosario. "Conformity and Resistance to Enclosure: Female Voices in Rosario Castellanos's Oficio de tinieblas." Stacey Schlau. XII, 24:45-57.

-----. "Images of Women in Rosario Castellanos's Prose." Phyllis Rodríguez Peralta. VI, 11:68-80.

-----. "Rosario Castellanos's Guests in August: Critical Realism and the Provincial Middle Class." Beth Miller. VII, 14:5-19.

Cixous, Helene. "'Desyoización': Joyce/Cixous/Fuentes and the Multi-Vocal Text." Wendy B. Faris. IX, 19:31-39.

Conteris, Hiber. "Suspect Author: Hiber Conteris's Ten Percent of Life." Marcie Paul. XVIII, 35:50-58.

Coronado, Carolina. "Mystical Diction and Imagery in Gomez de Avellaneda and Carolina Coronado." Lee Fontanella. IX, 19:47-55.

Cortazar, Julio. "A Mythical Re-enactment: Cortázar's El Perseguidor." Djelal Kadir. II, 3:63-73. (Out of Print.)

-----. "'Blow-up': Cortázar's and Antonioni's." Gary Kester. IV, 9:7-13.

-----. "Desire and the art of dehumanization: Macedonio Fernández, Julio Cortázar and João Guimarães Rosa." Stephanie Merrim. XVI, 31:45-64.

-----. "The Historical Dimension in Julio Cortázar's 'The Pursuer'." Robert W. Felkel. VII, 14:20-27.

-----. "Julio Cortázar (1914-1984)." (Memorial.) Roberto González Echevarría. XII, 24:6.

-----. "The Meaning of Persio's Monologues in The Winners." Robert Y. Valentine. VII, 13:10-19.

-----. "'Melancolía Porteña' and Survivor's Guilt: A Benjaminian Reading of Cortázar's El Examen." Patrick J. O'Connor. XXIII, 46:5-31.

-----. "The Other Origin: Cotázar and Identity Politics." Brett Levinson. XXII, 44:5-19.

-----. "Sexual Violence in Two Stories of Julio Cortázar: Reading as Psycotherapy?" John H. Turner. XV, 30:43-56.

-----. "Strategies for Reader Participation in the Works of Cortázar, Cabrera Infante and Vargas Llosa." Lydia D. Hazera. XIII, 26:19-34.

-----. "Writing/Fantasizing/Desiring the Maternal Body in 'Deshoras' and 'Historias que me cuento' by Julio Cortázar." Cynthia Schmidt-Cruz. XV. 49:7-23.

Dario, Ruben. "Darío and Breton: Two Enigmas." Stephanie Merrim. IV, 9:48-62

-----. "Darío and Krysinska's 'Symphonie en gris': The Gautier-Verlaine Legacy." Emanuel J. Mickel, Jr. VIII, 15:12-24.

-----. "Irony in the Fantastic Stories of Azul." Howard M. Fraser. I, 2:37-42. (Out of Print.)

-----. "Rubén Darío." Marcel Chabot. I, 1:39-49.

-----. "Rubén Darío's Final Profession of Pythagorean Faith." Theodore W. Jensen. X, 20:7-19.

-----. "Socio-Political Concerns in the Poetry of Rubén Darío." Cathy L. Jrade. XVIII, 36:36-49.

Desnoes, Edmund. "America Revisited: An Interview with Edmund Desnoes." Willian Luis. XI, 21:7-20.

-----. "Inconsolable Memories and its Russian Counterpart." Tamara Holzapfel. XI, 21:21-26.

Discepolo, Armando. "The World's Illogic in Two Plays by Argentine Expressionists." Naomi Lindstrom. IV, 8:83-88.

Donoso, Jose. "Donoso, José. Historia personal del 'boom,'" John J. Hassett. II, 3:108-111. (Out of Print.)

-----. "Donoso's Obscene Bird: Novel and Anti-Novel." John M. Lipski. IV, 9:39-47.

-----. "Gender, Aesthetics and the Struggle for Power in José Donoso's El obsceno pájaro de la noche." Scott Pollard. XXIII, 45:18-42.

-----. "An Interview with José Donoso." Amalia Pereira. XV, 30:57-67.

-----. "Language Put-On: José Donoso's A House in the Country." Marie Murphy. XVII, 33:50-59.

-----. "El obsceno pájaro de la noche: The Demise of Feudal Society." Charles M. Tatum. I, 2:99-105. (Out of Print.)

-----. "Witchcraft in Three Stories of José Donoso." Howard M. Fraser. IV, 7:3-8. (Out of Print.)

Dragun, Osvaldo. "The Stylization of Theme in Dragún's Historias para ser contadas." Robyn R. Lutz. VII, 13:29-37.

Echeverria, Esteban. "The Influence of Victor Hugo on Esteban Echeverria's Ideology." Marguerite E. Suarez-Murias. VI 11:13-21.

Esquivel, Laura. "Romancing the Cook: Parodic Consumption of Popular Romance Myths in Como agua para chocolate." Susan Lucas Dobrian. XXIV, 48:56-66.

Estorino, Abelardo. "Estorino's Theatre: Customs and Conscience in Cuba." George Woodyard. XI, 22:57-63.

Estrada, Martinez. "Kafkaesque Strategy and Anti-Peronist Ideology: Martínez Estrada's Stories as Socially Symbolic Acts." Edna Aizenberg. XIV, 28:11-19.

Exheverria, Esteban. "The Influence of Victor Hugo on Esteban Exheverria's Ideology." Marguerite E. Suarez-Murias. VI, 11:13-21.

Fernandez, Macedonio. "Macedonio Fernandez: Strategies Against Readerly Sloth." Naomi Lindstrom. VI, 11:81-88.

-----. "Desire and the Art of Dehumanization: Macedonio Fernádez, Julio Cortázar and João Guimarães Rosa." Stephanie Merrim. XVI, 44-64.

Ferre, Rosario. "Translation and Prostitution: Rosario Ferré's Maldito amor and Sweet Diamond Dust." Janice A. Jaffe. XXIII, 46:66-82.

Filho, Adonias. "An Introduction to Adonias Filho's Corpo vivo." David William Foster. I, 2:43-50.(Out of Print.)

Fuentes, Carlos. "The Camp World of Carlos Fuentes: Notes on a Short Story." John H. Turner. II, 4:71-74.

-----. "Carlos Fuentes's Agua Quemada: The Nation As Unimaginable Community." Maarten Van Delden. XXI, 42:57-69.

-----. "Carlos Fuentes Cumpleaños: A Mythological Interpretation of an Ambiguous Novel." Gloria Durán. II, 4:75-86.

-----. "Character and its Development in Fuentes's Change of Skin." Mary Seale-Vasquez. VI, 12:68-85.

-----. "'Desyoización': Joyce/Cixous/Fuentes and the Multi-Vocal Text." Wendy B. Faris. IX, 19:31-39.

-----. "The Grace and Disgrace of Literature: Carlos Fuentes's The Hydra Head." Emma Kafalenos. XV, 29:141-158. Special Issue: The Boom in Retrospect: A Reconsideration.

-----. "How Theater Challenges Hollywood's Archive of Pleasure in Carlos Fuentes's Orchids In The Moonlight." Daryl Palmer. XVIII, 35:6-17.

-----. "Memory and Time in The Death of Atremio Cruz." Britt-Marie Schiller. XV, 29:93-103. Special Issue: The Boom in Retrospect: A Reconsideration.

-----. "Myth and Madness in Carlos Fuentes's A Change of Skin." Edith Grossman. III, 5:99-112.

-----. "Pop Culture and Image-Making in Two Latin American Plays." Kristen F. Nigro. XVII, 33:42-49.

-----. "The Supernatural Persistence of the Past in Los días enmascarados by Carlos Fuentes." Anthony Julio Ciccone. III, 6:37-48.

-----. "Three Post-Boom Writers and the Boom." Donald L. Shaw. XIV, 47:5-22.

-----. "'Timeliness' in Carlos Fuentes's Cambio de piel." Thomas J. Knight and Flora M. Werner. IV, 7:23-30.

Galvão, Patricia. "Patrícia Galvão: The Struggle Against Conformity." Jayne H. Bloch. XIV, 27:189-201. Special Issue of Brazilian Literature.

Gandia, Zeno. "La esfinge del monstruo: modernidad e higiene racial en La charca de Zeno Gandía." XV, 50. Special Issue on Nineteenth-Century Latin American Literature.

Garcia Marquez, Gabriel. "'The Aleph' and One Hundred Years of Solitude: Two Microcosmic Worlds." George R. McMurray. XIII, 25:55-64. Special Issue: Gabriel García Márquez.

-----. "Ambiguity and Indeterminacy in La hojarasca." Frank Dauster. XIII, 25:24-28. Special Issue: Gabriel García Márquez.

-----. "The Autumn of the Signifier: The Deconstructionist Moment of García Márquez." Patricia Tobin. XIII, 25:65-78. Special Issue: Gabriel García Márquez.

-----. "The Barbaric Dictator and the Enlightened Tyrant in El ontoño del patriarca and El recurso del metodo." Norman Luna. VIII, 15:25-32.

-----. "Edenic Nostalgia and the Play of Mirrors in Hopscotch and One Hundred Years of Solitude." Linda L. Williams. VI, 11:53-67.

-----. "Ends and Endings in García Márquez's Crónica de una muerte anunciada." Lois Parkinson Zamora. XIII, 25:104-116. Special Issue: Gabriel García Márquez.

-----. "From Picked-Up Pieces." John Updike. XIII, 25:147. Special Issue: Gabriel García Márquez.

-----. "García Márquez and the Novel." Gene H. Bell-Villada. XIII, 25:15-23. Special Issue: Gabriel García Márquez.

-----. "García Márquez: A Brief Note." Alastair Reid. XIII, 25:148. Special Issue: Gabriel García Márquez.

-----. "García Márquez: A Personal Appreciation." Robert Coles. XIII, 25:149-150. Special Issue: Gabriel García Márquez.

-----. "García Márquez and the Subversion of the Line." Patricia Tobin. II, 4:39-48.

-----. "García Márquez's Crónica de una muerte anunciada: Notes on Parody and the Artist." Dona M. Kercher. XIII, 25:90-103. Special Issue: Gabriel García Márquez.

-----. "Icy Solitude: Magic and Violence in Macondo and San Lorenzo." Wendy B. Faris. XIII, 25:44-54. Special Issue: Gabriel García Márquez.

-----. "Ideology and Deconstruction in Macondo." José David Saldívar. XIII, 25:29-43. Special Issue: Gabriel García Márquez.

-----. "An Introduction to the Early Journalism of García Márquez:1948-1958." Raymond Leslie Williams. XIII, 25:117-132. Special Issue: Gabriel García Márquez.

-----. "José Arcadio Buendía's Scientific Paradigms: Man in Search of Himself." Floyd Merrel. II, 4:59-70.

-----. "The Logic of Wings: Gabriel García Márquez and Afro-American Literature." Vera M. Kutzinski. XIII, 25:133-146. Special Issue: Gabriel García Márquez.

-----. "Marx in Macondo." Gregory Lawrence. II, 4:49-58.

-----. "Names and Narrative Pattern in One Hundred Years of Solitude." Gene H. Bell-Villada. IX, 18:37-46.

-----. "One Hundred Years of Solitude: Existence is the Word." Louis L. Ollivier. IV, 7:9-14.

-----. "Parody or Piracy: The Relationship of The House of the Spirits to One Hundred Years of Solitude." Robert Antonia. XVI, 32:16-28.

-----. "Reality and Imagination in the Novels of García Márquez." John S. Brushwood. XIII, 25:9-14. Special Issue: Gabriel García Márquez.

-----. "Revolutionary Change in One Hundred Years of Solitude and The Real Life of Alejandro Mayta, Hollis Huston. XV, 29:105-120. Special Issue: The Boom in Retrospect: A Reconsideration.

-----. "The Seaport Beyond Macondo." Ambrose Gordon. XIII, 25:79-89. Special Issue: Gabriel García Márquez.

-----. "Transparency and Illusion in García Márquez's Chronicle of a Death Foretold." Randolphe D. Pope. XV, 29:183-200. Special Issue: The Boom in Retrospect: A Reconsideration.

Garcia Ponce, Juan. "The Encounters of Juan García Ponce." Bruce Novoa. III, 6:49-52.

Gautier, Theophile. "Darío and Krysinska's 'Symphonie en gris': The Gautier-Verlaine Legacy." Emanuel J. Mickel, Jr. VIII, 15:12-24.

Gorodischer, Angelica. "Angélica Gorodischer's Voyages of Discovery: Sexuality and Historical Allegory in Science Fiction's Cross Cultural Encounters." Beatriz Urraca. XXIII, 45:85-102.

Guillen, Nicolas. "Nicolás Guillén and Carlos Pellicer: A Case of Literary Parallels." E.J. Mullen. III, 6:77-87.

Guimaraes Rosa, João. "The Carnivalization of the Holy Sinner: an Intertextual Dialogue between Thomas Mann and João Guimarães Rosa." Ana Luiza Andrade. XIV, 27:136-144. Special Issue of Brazilian Literature.

-----. "Desire and the Art of Dehumanization: Macedonio Fernández, Julio Cortázar, and João Guimarãeo Rosa." Stephanie Merrim. XVI, 31:45-54.

-----. "The Logic of Paradox inGuimarães Rosa's Tutaméia." Idelber Avelar. XXII, 43: 67-80.

Guzman, Jorge. "Coordinate Design in a Chilean Nueva Novela: Job-Boj by Jorge Guzmán." Michael J. Doudoroff. III, 6:23-29.

Hawthorne, Nathaniel. "Hawthorne and Borges: Two Twice-Told Tales." Octavio Corvalán. VII, 13:45-51.

Hernandez, Jose. "Personal Destiny and National Destiny in Martin Fierro." Alfredo A. Roggiano. Translated by William J. Straub. III, 5:37-49.

Hinojosa-Smith, Rolando. "Interview with Rolando Hinojosa-S." Bruce Novoa. V, 10:103-114. (Out of Print.) Special Issue of Chicano Literature.

Holmberg, Eduardo L. "A State of Conviction, A State of Feeling: Scientific and Literary Discourses in the Works of Three Argentine Writers, 1879-1908." Bonnie Frederick. XIX, 38:48-61.

Huerta, Efrain. "Efraín Huerta and the New School of Mexican Poets." Ricardo Aguilar Melantzón. XI, 22:41-55.

Hugo, Victor. "The Influence of Victor Hugo on Esteban Echeverria's Ideology." Marguerite E. Suarez-Murias. VI 11:13-21.

Huidobro, Vincente. "Vincente Huidobro and the Kingdom of Paper." José Quiroga. XX, 39:36-52.

Ines de la Cruz, Sor Juana. "Learning and Creation in Sor Juana Inés de la Cruz." Alfredo A. Roggiano. Translated by Judith Kurehs. I, 1:63-70.

-----. "Octavio Paz on Sor Juana Inés de la Cruz: The Metaphor Incarnate." Frederick Luciani. XV, 30:6-25.

-----. "Virtue or Vice? The Respuesta a Sor Filotea and Thomistic Thought." Constance M. Montross, IX, 17:17-27.

Ionesco, Eugene. "Language and Power in Miss Margarida's Way and The Lesson." Vicky Unruh. XIV, 27:126-135. Special Issue of Brazilian Literature.

Isaacs, Jorge. "From Sentimentalism to Romanticism: Rereading María." John Rosenberg. XXII, 43:5-18.

Jaramillo Levi, Enrique. "Jaramillo Levi, Enrique, Antología crítica de joven narrativa panameña." Evelio Echevarría. II, 3:107-108. (Out of Print.)

Joyce, James. "''Desyoización': Joyce/Cixous/Fuentes and the Multi-Vocal Text." Wendy B. Faris. IX, 19:31-39.

-----. "Stalking the Oxen of the Sun and Felling the Sacred Cows: Joyce's Ulysses and Cabrera Infante's Three Trapped Tigers." Djelal Kadir. IV, 8:15-22.

Krysinska, Marie. "Darío and Krysinska's 'Symphonie en gris': The Gautier-Verlaine Legacy." Emanuel J. Mickel, Jr. VIII, 15:12-24.

Najlis, Michele. "The Poet After the Revolution: Intertexuality and Defiance in Michele Najlis's Cantos de Ifigenia." Amy Kaminsky. XXIII, 46:48-65.

Neruda, Pablo. "Kingdom of This Earth: The Poetry of Pablo Neruda." Luis Monguió. I, 1:13-24.

-----. "Neruda, Pablo, New Poems: (1968-1970)." Harvey L. Johnson. II, 3:105-107. (Out of Print.)

-----. "Nuptial Material: A Model for Translating Neruda's Residence on Earth." John E. Eipper. XVII, 34:62-82.

Novo, Salvador. "Salvador Novo's Continente Vacío." Mary K. Long. XXIV, 47:91-114.

Ocampo, Silvina. "The Initiation Archetype in Arguedas, Roa Bastos and Ocampo." Barbara B, Aponte. XI, 21:45-55.

-----. "The Mad Double in the Stories of Silvina Ocampo." Patricia N. Klingenberg. XVI, 32:29-40.

O'Neill, Carlota. "Carlota O'Neill's Cuarta Dimensión: The Role of the Female and the Imagination in Daily Existence." Eleanor J. Martin. VIII, 15:1-11.

Onetti, Juan Carlos. "Juan Carlos Onetti's El Pozo: An Activity of Hesitation." Ciaran Cosgrove. XVII, 33:6-16.

-----. "Onetti's Devices." Fernando Ainsa. Translated by Cedric Busette. III, 5:81-97.

-----. "Para esta noche de Juan Carlos Onetti: la marginalidad y la búsqueda de legitimidad intelectual." José A. Rosado. XXIII, 46:33-47.

-----. "Psychopathic Point of View: Juan Carlos Onetti's Los Adioses."Joel C. Hancock II, 3:19-29. (Out of Print.)

Orozco, Fernando. "La guerra de los treinta años de Fernando Orozco y la visión lúdico poética de la historia." Elias José Palti. XXV, 49:63-90.

Owen, Walter. "Walter Owen: The Latin American Epic and the Art of Translation." John L. Walker. III, 5:51-64.

Pacheco, Cristina. "Embedded Agendas: The Literary Journalism of Cristina Pacheco and Guadalupe Loaeza." Claudia Schaefer-Rodriquez. XIX, 38:62-76.

Pacheco, Jose Emilio. "Dreams and Distance in Recent Poetry by José Emilio Pacheco." Agnes M. Gullon. VI, 11:36-42.

-----. "Inmutable Humanity within the Hands of Time: Two Short Stories by José Emilio Pacheco." Russell M. Cluff. X, 20:41-56.

-----. "José Emilio Pacheco: Signals From the Flames." Thomas Hoeksema. III, 5:143-156.

Padilla, Herberto. "Fuera del juego: A Poet's Apraisal of the Cuban Revolution." Luis M. Quesada. III, 6:89-98.

Parra, Nicanor. "Nicanor Parra and the Question of Authority." Adelaida López Mejía. XVIII, 36:59-77.

-----. "Nicanor Parra: Antipoetry, Retraction and Silence." George Melnykovich. III, 6:65-70.

Paz, Octavio. "Borges and Paz: Death by Labyrinth and Resurrection by Dialectic." Gary L. Brower. II, 4:17-23.

-----. "Octavio Paz and the Chicano." Luis Leal. V, 10:115-123. (Out of Print.) Special issue of Chicano Literature.

-----. "Octavio Paz on Sor Juana Inés de la Cruz: The Metaphor Incarnate." Frederick Luciani. XV, 30:6-25.

-----. "'Vuelta': The Circuitous Journey Motif in the Poetry of Octavio Paz." Frances Chiles. VI, 12:57-67.

Pellicer, Carlos. "Carlos Pellicer and Creacionismo." George Melny Kovich. II, 4:95-111.

-----. "Nicolás Guillén and Carlos Pellicer: A Case of Literary Parallels." E.J. Mullen. III, 6:77-87.

Peri Rossi, Cristina. "The Mirror as Metaphor in Peri Rossi's Poem 'Applicaciones de la logica de Lewis Carroll'." Kathleen Lignell. XVI, 31:24-33.

Piglia, Ricardo. "The Disembodied Machine: Matter, Femininity and Nation in Piglia's La ciudad ausente." Eva-Lynn Alicia Jagoe. XXIII, 45:5-17.

-----. "Trans(re)lations: Dictatorship, Disaster and the 'Literary Politics' of Piglia's Respiración artificial." Brett Levinson. XXV, 49:91-120.

Pizarnik, Alejandra. García Moreno, Laura. "Alejandra Pizarnik and the Inhospitality of Language: The Poet as Hostage." XXIV, 48:67-93.

Poe, Edgar Allen. "The Detective Story Genre in Poe and Borges." Julia A. Kushigan. XI, 22:27-39.

Poniatowska, Elena. "Interview with Elena Poniatowska." Beth K. Miller. IV, 7:73-78.

-----. "The Transformation of Privilege in the Work of Elena Poniatowska." Bell Gale Chevigny. XIII, 26:49-62.

Puig, Manuel. "Betrayed by Manuel Puig: Reader Deception and Anti-Climax in His Novels." David R. Southard. IV, 9:22-28.

-----. "Dynamic Correlations in Heartbreak Tango." Judith A. Weiss. III, 5:137-141.

-----. "Manuel Puig and the Uses of Nostalgia." David William Foster. I, 1:79-81.

-----. "Manuel Puig's Hearbreak Tango: Women and Mass Culture." Ellen McCracken. IX, 18:27-35.

-----. "Narrative Technique in Manuel Puig's Boquitas Pintadas." Lydia D. Hazera. II, 3:45-53. (Out of Print.)

-----. "The Reel Against the Real: Cinema in the Novels of Guillermo Cabrera Infante and Manuel Puig." Phyllis Mitchell. VI, 11:22-29.

Rafael Sanchez, Luis. "Repetition and the Language of the Mass Media in Luis Rafael Sánchez's La guaracha del Macho Camacho." Arnaldo Cruz. XIII, 26:35-48.

-----. "Myth Montage in a Contemporary Puerto Rican Tragedy: la pasión según Antígona Pérez." Lorraine Elena Ben-UR. IV, 7:15-21. (Out of Print.)

Reyes, Alfonso. "Americanismo andante: Alfonso Reyes and the 1930s." Robert T. Conn. XXIII, 46:83-98.

Rio, Marcela del. "Two Mexican Women Dramatists of Today." Leonor A. Larew. II, 4:171-172.

Roa Bastos, Augusto. "Augusto Roa Bastos's I the Supreme: The Image of a Dictator." David William Foster. IV, 7:31-35. (Out of Print.)

-----. "The Initiation Archetype in Arguedas, Roa Bastos and Ocampo." Barbara B. Aponte. XI, 21:45-55.

Rodriguez Monegal, Emir. "Box (Christmas Present to Emir Rodríguez Monegal)." Gloria Durán. IV, 7: 79-82. (Out of Print.)

-----. "Emir and the Canon: An Obituary Note." Roberto González Echevarría. XIV, 28:7-10.

-----. "Three Post-Boom Writers and the Boom." Donald L. Shaw. XXIV, 47:5-22.

Roffe, Reina. "From Silence to Subjectivity: Reading and Writing in Reina Roffe's La Rompiente." Marybeth Tierney-Tello. XXI, 42:34-56.

Rojas, Gonzalo. "Gonzalo Rojas: Between the Poem and the Anti-Poem." René de Costa. VI, 12:15-25.

Rojas, Manuel. "Thomas Mann's The Magic Mountain and Manuel Rojas's Born Guilty." Mercedes M. Robles. XI, 23:15-24.

Romero, Orlando. "The Concept of Time in Nambé-Year One." Nasario Garcia. VII, 13:20-28.

Rulfo, Juan. "A Drop of Rain in the Desert: Something and Nothingness in Juan Rulfo's 'Nos han dado la Tierra,'" Julianne Burton. II, 3:55-62. (Out of Print.)

-----. "Noise and Communication in Juan Rulfo." Michael S. Jordan. XXIV, 47:115-130.

Sabato, Ernesto. "The Structural and Thematic Elements in Abbadon el Exterminador." Nivia Montenegro. VI, 12:38-56.

Saer, Juan Jose. "El crimen de la escritura: la novela policial según Juan José Saer." Julio Premat. XXIV, 48:19-38.

-----. "El entenado: relacíon contemporánea de las memorias de Francisco del Puerto." Evelia Romano Thuesen. XXIII, 45:43-63.

Sarduy, Severo. "Jorge Luis Borges and Severo Sarduy: Two Writers of the Neo-Baroque." Suzanne Jill Levine. II, 4:25-37.

-----. "Severo Sarduy's Strategy of Irony: Paradigmatic Indecision in Cobra and Maitreya." Gustavo Pellón. XI, 23:7-13.

-----. "Severo Sarduy, the Boom and the Post-Boom." Roberto González Echevarría. XV, 29:57-72. Special Issue: The Boom in Retrospect: A Reconsideration.

-----. "Textual Politics: Severo Sarduy." Enrico Mario Santí. VIII, 16:152-160. Special Issue of Hispanic Caribbean Literature.

Selva, Salomon de la. "Nicaraguan Poet as Wandering Jew: Salomón de la Selva and 'Mi primer judio,'" Roy Rosenstein. XVIII, 35:59-70.

Skarmeta, Antonio. "An Interview with Antonio Skármeta." Georgiana M.M. Colvile. XX, 39:27-35.

Solorzano, Juan Carlos. "The Mexican Existentialism of Solórzano's Los Fantoches." Katherine C. Richards. IV, 9:63-69.

Somers, Armonia. "Armonia Somers's 'El Despojo': Masculine Subjectivity and Fantasies of Domination." Rebecca E. Biron. XXI, 42:7-20.

Soto, Gary. "The Streets of Gary Soto." Julián Olivares. XVIII, 35:32-49.

Tablada, Jose Juan. "El poeta en la Quinta Avenida: Modernidad o el tropiezo con el cuerpo femenino." Rafael Hernández Rodríguez. XXV, 49:43-61.

Tapia y Rivera, Alejandro. "La Cuarterons and Slave Society in Cuba and Puerto Rico." Aníbal González. VIII, 16:47-54.

Torres Bodet, Jaime. "Jaime Torres Bodet, Mexico's Dawn Poet." Beth K. Miller. III, 6:71-75.

Traven, Bruno. "The Fantasy of Bruno Travan: Macario." Sheilah R. Wilson. III, 6:17-21.

Urueta, Jesus. "The Contributions of Jesús Urueta to the Revista Moderna." Carole A. Holdsworth. II, 4:127-137.

Urueta, Margarita. "Two Mexican Women Dramatists of Today." Leonor A. Larew. II, 4:171-172.

Valdelomar, Abraham. "Narrative Access to a Feminine Childhood World: A New Peruvian Novel." Phyllis Rodríguez-Peralta. IX, 17:1-8.

Valenzuela, Luisa. "The Hand That Mirrors Us: Luisa Valenzuela's Re-Writing of Lacan's Theory of Identity." Edward Haworth Hoeppner. XX, 39:9-17.

-----. "Other Weapons, Other Words: Literary and Political Reconsiderations in Luisa Valenzuela's Other Weapons." Laura García Moreno. XIX, 38:7-22.

-----. "Southern Discomfort in Argentina: Postmodernism, Feminism, and Luisa Valenzuela's Simetrías." Joy Logan. XXIV, 48:5-18.

Vallejo, Cesar. "César Vallejo: A Poetic Credo and a Poem." E. Neale- Silva. I, 1:83-99.

-----. "Poet as God. The Resurrection Myth and Other Archetypal Motifs in César Vallejo's 'A scuas'." Luis F. González Cruz. I, 2:73-82. (Out of Print.)

-----. "Y hembra es el alma nua: Stumbling over the Female Body in César Vallejo's Trilce." Tace Hedrick. XXII, 43:51-66

Vargas Llosa, Mario. "Animalization and Chiaroscuro Techniques: Descriptive Language in La ciudad y los perros." Joel C. Hancock. IV, 7:37-47. (Out of Print.)

-----. "The Boom Twenty Years Later: An Interview with Mario Vargas Llosa." Raymond Leslie Williams. XV, 29:201-206. Special Issue: The Boom in Retrospect: A Reconsideration.

-----. "Humor and Class in Pantaleón y Las Visitadoras." Sara Castro-Klarén. VII, 13:64-79.

-----. "Mario Vargas Llosa and The Real Life of Alejandro Mayta from a French Perspective." Michel Rybalka. XV, 29:121-131. Special Issue: The Boom In Retrospect: A Reconsideration.

-----. "Of Heroes and Martyrs: The Grotesque in Pantaleon y las visitadoras." Marta Morello-Frosch. VII, 14:40-44.

-----. "'Pornoviolence' and Point of View in Mario Vargas Llosa's La tía Julia y el escribidor." Stephen M. Machen. IX, 17:9-16.

-----. "A Reading of Vargas Llosa's The Real Life of Alejandro Mayta." Jorge Guzmán. XV, 29:133-140. Special Issue: The Boom In Retrospect: A Reconsideration.

-----. "Revolutionary Change in One Hundred years of Solitued and The Real Life of Alejandro Mayta." Hollis Huston. XV, 29:105-120.

-----. "The Search for Paradise in Captain Pantoja and the Special Service." Julie Jones. IX, 19:41-46.

-----. "Strategies for Reader Participation in the Works of Cortázar, Cabrera Infante and Vargas Llosa." Lydia D. Hazera. XIII, 26:19-34.

-----. "Three Post-Boom Writersand the Boom." Donald L. Shaw. XXIV, 47:5-22.

-----. "The Time of the Hero: Liberty Enslaved." Sharon Magnarelli. IV, 8:35-45.

-----. "The Two Narrative Voices in Mario Vargas Llosa's Aunt Julia and the Scriptwriter." René Prieto. XI, 22:15-25.

Vega, Garcilaso de la. "A Caricature of Spanish Women in the New World by the Inca Garcilaso de la Vega." Julie Greer Johnson. IX, 18:47-51.

Velasquez, Gerardo. "Gerardo Velásquez: Pieces of the Puzzle." Ronald D. Burgess. IX, 19:17-30.

Verlaine, Paul. "Darío and Krysinska's 'Symphonie en gris': The Gautier-Verlaine Legacy." Emanuel J. Mickel, Jr. VIII, 15:12-24.

Wells, H. G. "Science Versus the Library in The Island of Dr. Moreau, La Invención de Morel and Plan de evasión." Suzanne Jill Levine. IX, 18:17-26.

Wilde, Eduardo. "A State of Conviction, A State of Feeling: Scientific and Literary Discourses in the Works of Three Argentine Writers, 1879-1908." Bonnie Frederick. XIX, 38:48-61.

Williams, William Carlos. "Triangulating Two Cubists: William Carlos Williams and Oswald de Andrade." Richard M. Morse. XIV, 27:175-183. Special Issue of Brazilian Literature.

Yanez, Agustin. "Subjective Time and Images in Al filo del agua." John L. Walker. I, 2:51-57. (Out of Print.)

Yanez Cossio, Alicia. "An Embattled Society: Orality Versus Writing in Alicia Yánez Cossio's La cofradia del mullo del vestido de la Virgen Pipona." Dick Gerdes. XVIII, 36:50-58.